In the rain-soaked streets of 1990s Seattle, a seismic shift was brewing. The pulsating guitars and angst-ridden lyrics of grunge did not just define a genre; they became the battle cry of a generation hungry for authenticity. Nirvana, Alice in Chains, Pearl Jam, and Soundgarden emerged as icons, their raw sound echoing the disillusionment and alienation felt by millions. Yet, amidst this musical revolution lurked a shadowy presence: drug culture.

After visiting Booker T. Washington’s school in Tuskegee, Alabama in 1908, Len G. Broughton wrote, “Perhaps no man in this country is better known than Booker T. Washington, and perhaps no man is more poorly understood or incorrectly reported as he.” This assessment remains true today, as historians often misrepresent Washington and his accomplishments.

In the decade of the 1830s, there was a rise in ballet as an art form to be casually consumed by the mostly upper-class public, and with it, the idea of the basic archetypes for female characters that we still see today, such as the young and innocent girl and the provocative seductress.

In his two seminal works, On Liberty and Utilitarianism, John Stuart Mill, one of the leading philosophers of the 19th century, argued for the import of a broadened conception of individuality and the general utilitarian good of intellectual and aesthetic pursuits. Utilitarianism is a philosophy that promotes happiness above all else, it is often understood under the motto “the most good for the greatest number of people”.

After Germany invaded Norway on 9 April 1940, a resistance movement gradually emerged from numerous sectors of Norwegian society, including the government in exile (comprising both Norway’s Prime Minister Johan Nygaardsvold and Royal King Haakon VII), the Church, businesses and industry, political and social organizations, and individual citizens.