Posts in Issue XIV
Seventeenth-Century Dutch Animal Imagery Challenging Anthropocentrism: Paulus Potter’s Punishment of a Hunter

In the painting Punishment of a Hunter, the Dutch seventeenth-century artist Paulus Potter depicted animals putting a hunter on trial and enacting a death sentence. In this artwork, the animal court and hunter’s execution by burning appear in two central scenes, surrounded by smaller allegorical and hunting vignettes that show animals and humans. Compared to other works of seventeenth-century Dutch art, the content and format of this painting stand out as being rather peculiar.

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The Taboos of Family Romances: In Search of the Distorted Feminine Image

The feminine image is a broad conceptualization of feminine identity and behavior and is thus based in archetypical femininity. Archetypical femininity includes the nurturing quality associated with maternity, the chaotic element of nature and transformation, and the display of physical beauty and sexual appeal. Archetypal femininity, though expansive and necessary to the substance of life, becomes an oppressive tool when rigid expectations for gendered behavior arise from it.

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Emerald Atlantic: Motivations in Irish-American Diasporic Violence

Civil wars and emigration are closely related concepts; wars force relocation, while refugee populations beyond a state’s borders can influence a conflict within its original borders. As Idean Salehyan writes in his “Rebels without Borders: State Boundaries, Transnational Opposition, and Civil Conflict,” from Sikhs in Pakistan to Contras in Costa Rica, “modern insurgencies are not limited to the geographic area of the state.”

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The Power We Speak: Language, Anti-Black Racism & Black Resistance

Whatever the modality, whether verbal, written, body-language, or even the release of various chemicals and pheromones, communication is universal between all living things. Humans naturally congregate and gravitate towards one another for more than just survival, rather for companionship and celebration, primarily through language. It is from these congregations, each with their distinct methods of communication, language, that cultures are born.

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Stones that Speak

Made in the 18th century, Water Dropper: Poet Li Bai Sleeping Near Pine, Plum and Bamboo is a small fluorite sculpture with a cavity and opening so it could be used as a water dropper in ink making. The piece reinforces the well-known fact that calligraphy and ink were vital to Chinese culture and were considered one of the highest forms of art. This piece shows a sensitivity to material and color that is indicative of a culture deeply in tune with the natural world, Daoist principles, and its ancient past.

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