Posts in Issue X
Misunderstood: A Cultural History of Eating Disorders in the West 

By Meera Shanbhag, Vanderbilt University, Nashville, TN

Over 30 million people in the United States are plagued by eating disorders, with at least one death related to eating disorders occurring every 62 minutes.[1] These serious illnesses, which have the greatest mortality rate of any psychological disorder, are characterized by abnormal eating patterns.

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“I Deserve Everything”: The Role of Confidence in 21st Century Women’s Sports 

By Sabeehah Ravat, University of South Florida

Professional sport is one of the most highly consumed entertainment products in the world, making it both an accessible and unstable foundation for engaging in activism and championing sociopolitical change. Throughout its history, the foundation of heteropatriarchal white supremacy that sports is built on has been challenged, renegotiated, and reinforced.

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Free Markets or Free People: Amos A. Lawrence and the Limits of the Abolitionist Movement

By Catherine Devlin, Boston University, Boston, MA

Turning points make for appealing narratives. It’s satisfying to be able to point to a moment and say, “There. That’s when it all changed.” Amos Adams Lawrence (1814-1886), Bostonian textile merchant, indulged his inner story-teller when he described such a turning point, a moment of total reinvention, in a letter to his uncle: “We went to bed one night old-fashioned, conservative, Compromise Union Whigs and waked up stark mad abolitionists.”

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The State’s Construction of Subjectivity: A Literary Analysis of the Contemporary Narco-Novel Perra Brava

By Carla Graciano, Augustana University in Sioux Falls, South Dakota

Perra Brava, written by Orfa Alarcón, is a Mexican narco-novel that will act as the focal point of this essay. Perra most often translates to bitch or female dog, and most of the time, women are the ones who are on the receiving end of this epithet.

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“What is this thing, Lord?”: Matthew O’Connor and the Queer Theology of the Catholic Church in Nightwood (1937)

By Olivia Harris, University of North Carolina at Chapel Hill

The modernist novel Nightwood by Djuna Barnes (1892-1982) is a celebration of difference. Published in 1937,[1] it precociously spotlights the voices of those who are often marginalized: homosexuals, women, Jews, starving artists, political activists, the working class.[2] The story focuses on a lesbian love triangle in Paris:

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